I track to an alesis HD24 from a 56 input amek console, and via outboard mic pres. If 5.1 surround is done, then the project is authored in Discwelder or Sonic and completed there and output on DLT.ġst format: 24 bit wav files for mastering engineer (usually data dvd) Mixes are brought back to Vegas where mastering is completed and a PM-CD w/PQ is generated. Tracks are brought up in Vegas where mixing is done and completed. When tracking is finished, all tracks are rendered to length in the 2424 and transfered VIA ethernet network to our 5.1 Mix, Master & Authoring suite. The analog inputs are used in conjunction with an array of tube mic-pres and a mackie 1604 mixer. It has Auto Input, punch on the fly and no noticable latency across 24 tracks.Īt my location it is output digitally to a Yamaha O2R. This recorder is rackmountable and easily mobile for recording at different studios or location environments and also works really well at the TmR Productions studio. I then import a 2 mix of the 'play-along' tracks and a click track to a Tascam MX-2424 Hard Disk recorder. If we're using orchestral players, the charts are written in Finalé by hyperscribing or midi file import from the specified pre-production track. If we're using a band, the charts are hand written number charts. This defines tempos and creates elements that may or may not be used to perform with and gives me the ability to show a working demo to the players and write my charts. My workflow typically is: I develop songs through pre-production by sequencing using either an Ensoniq TS-10 keyboard workstation, Sonar Producer, ACID (GigaStudio for sampled sounds) or a combination of any/all of these. Yeat serum presets reddit.My second most common delivery format is: DLT

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